Introductions to Published and Unpublished Books

 

Introductions to published books:

 

William R. Mistele

 

*Undines: Lessons from the Realm of the Water Spirits

 

*Mermaids, Sylphs, Gnomes, and Salamanders: Preface, Introduction

 

*Mermaid Tales

 

*Stories of Magic and Enchantment

 

*The Four Elements

 

*Ten Sephiroth for Spiritual Beginners: A Guide to the Inner and Outer Worlds: Introduction (coming spring of 2022)

 

 

Introductions to Unpublished Manuscripts

 

*How to Speak Saturn: Forward, Preface, Introduction

 

*The Perfection of Wisdom—the Cosmic Letter U:             

                           Preface and Introduction

 

*How to Speak Mermaid: Preface, Introduction

 

*The Admiral’s Mermaid: Preface (a novel, screenplay

                                                          available))

 

*The Mermaid Assassin (a novel)

 

*Twenty-Five Earthzone Spirits

 

*The Song of the Universe (poems)

 

*The Fall of Atlantis (a screenplay)

 

 

Undines: Lessons from the Realm of the Water Spirits: Introduction  

 

When the Brothers Grimm in Germany and W. B. Yeats in Ireland went about the countryside gathering fairy tales, they wanted to preserve the folk traditions.  By recording faithfully the stories they were told, they enriched world literature.  But there is an ambivalence in their work.  They wanted to remain academically detached so they would not be accused of promoting superstition or being enamored with occult mysticism. 

    With the help of subsequent Jungian and transpersonal psychology, fairy tales have been set free.  We no longer need to justify them as oral literature or repackage them as children's stories.  They can be seen as dreamlike images reflecting the powers and desires which move within us.  They are not archaic stories belonging to a naive and simpler time.  They are warnings and signposts indicating the dangers and the treasures hidden within us.

     Though I have studied esoteric, oral traditions for twenty years, my stories and dialogues do not belong to any specific locality, race, or nationality.  These nature spirits are not attached to a holy well in Ireland, a lake in Scotland, or a mountain over in Bavaria, China, or Japan.  They are not Moslem, Hindu, Jewish, or Christian.  None of these spirits are mentioned in any world religion.

     Instead, these elemental beings have a global outlook.  They watch over the forces of nature which encompass our planet.  They embody not the wisdom of the past but of what the human race has yet to attain in its future. 

     It is one thing to see a volcano erupting or witness a hurricane.  It is another thing to envision the history of all volcanoes on earth or the changes in climate over the last billion years.  These elemental beings have this larger perspective.  They speak of the origins of life and of our place in the universe. 

     Some will insist that the modern mind requires coherent and reassuring explanations whenever perception is extended into unfamiliar areas of the psyche or into new vistas of the spirit.  In response to this, I present four essays on finding the elemental being within ourselves.  These essays focus on what it would be like to see and to feel as an elemental being. 

     For example, the beings who dwell within water are called undines.  We do not need to perform an occult ritual or attain a mystical rapport in order to taste the ecstasy or develop the empathy of these magical beings.  If we gather all of our sensory experiences with lakes, rivers, and seas, we can begin to sense the awareness which undines possess.  Water embodies sensual release.  Its voice invites us to let go, to flow, and to be enfolded by nurturing tenderness. 

     If we pause and stop thinking for a time, we can place our awareness into water and enter a realm of pure feeling.  We can immerse ourselves within water's serene magnetism.  The gate to the realm of undines opens to us precisely at this point where perception and feeling amplify each other.  Nature revives and renews us in part because we can put aside our social identities.  We can let go of our daily habits and routines and feel supported by a world which is alive, autonomous, and self-sustaining. 

     Consider these questions:  If water were conscious, what kind of intelligence would it possess?  What charms would we see if the sea were given personality?  If the beauty in the waters of the world were embodied in the form of a living woman, what would it be like to know her, to touch her, or to kiss her lips?  In this way, our imagination becomes an arena of experimentation.

     In our time, we are experiencing a spiritual renaissance.  There are many individuals who are willing to talk about their encounters with the magical realms underlying nature.  They have been able to see nature spirits from their earliest childhood.  Or else they meet them in their groves or during their walks through the woods. 

     Scientists also attest to the interconnection of scientific endeavors especially when it comes to nature.  They know that the health of the biosphere is essential for our survival.  It turns out our presence on this planet is tenuous.  We must monitor nature like never before.  The atmosphere is our breath.  Our genes and fertility are affected by the fertilizers we use to grow food and the chemicals we release into water. 

     If the plankton die in the sea or the ozone layer is compromised, then we die also.  If the Western shelf of the South Pole melts, if temperature increases a few degrees, or if the currents in the ocean change course, an ice age may fall upon us in a few decades.  Science confronts us with the interdependence of all of life and the necessity of attaining a new level of harmony.  Why not, then, tell fairy tales and enchanting stories which celebrate this new found wisdom?  Scientists run computer simulations of weather, tsunamis, volcanoes, and earthquakes in order to understand these phenomena.  A fairy tale is similar.  It is a tool which discloses the harmony underlying nature.

     On the other hand, those of a more theological or even occult persuasion might have a different objection.  They ask, “By what right do you speak when the voices of the Brother's Grimm, Yeats, and in fact the bards of all ages have remained silent?  What authority permits you to reveal the magical knowledge of spiritual realms which has been kept secret from the human race?” 

     This objection should be carefully considered and placed in context.  Recall that Christianity and other religions are not at all comfortable with nature.  Let us pause briefly and consider an ancient text which discusses this conflict.

     According to the Gospel of Matthew, Christ walked on water beside the boat filled with his disciples.  Peter, who was in the boat, asked Christ to bid him to walk on the water also.  Christ said, “Come.”  According to Matthew's account, Peter then got out of the boat and walk upon the water.  But because Peter's faith wavered, he began to sink and so he cried out, “Lord, save me.”  Immediately Christ grasped him and said, “Oh you of little faith, why did you doubt?”

     In that moment the entire history of theology and of scientific inquiry suffered a separation of nature from spirit and of empirical inquiry from inner wisdom.  Sure, Peter saw himself surrounded by the boisterous wind and waves and had doubts about acting on faith.  I contend that those doubts arose because Peter and the theologians, philosophers, and scholars after him were unable to let go of their human identities.  They could not turn away from the safe harbors of human reason long enough to listen to what their five senses were telling them.

    They could not imagine a world in which the winds, the waves, the mountains, and the fires of the earth respond to the spirit that created them.  They have been unwilling to unite with the divine within themselves.  Without listening to the still voice within their hearts, they have shied away from relying upon the power of spirit to recreate the world through beauty and love.

    The consequence of this act of Peters--of giving into the insecurity at the core of his being--is that the Church then became obsessed with ecclesiastical and scriptural authority.  The individual's process for discovering God within his heart through direct experience was abandoned.  And when science finally came into its own, it too took a distorted view of truth.  It declared that faith, beliefs, wisdom, intuition, and ethics have nothing at all to do with its methods. 

     Scientists and theologians share the same weakness.  They limit their use of direct perception.  What they see with their eyes, hear with their ears, and, in fact, the sensations of all their senses are censored so that the information received is incomplete.  What reason cannot understand is either forbidden or else labeled unscientific and irrational.

     I have many weaknesses but I am not shy.  I am willing to sit for twenty minutes or an hour without a single thought passing through my mind while I wait for an undine to reveal her presence--to place her hand on my skin and, in that touch, share the mysteries of the sea she has celebrated and tasted for half a billion years.  I have not found any theologians or scientists who are willing to sit beside me and see what I see and feel this beauty.  The same is true for the other elements.

     I can share a sylph's zeal for freedom and independence because I feel what he feels--the atmosphere of our planet is the most beautiful among a billion worlds.  I can consult with a gnome whose photographic memory recalls every event he has witnessed during the millions of years he has wandered beneath the ground.  I feel comfortable with him and he considers me a companion.  This is because we share a common appreciation for silence--in the stillness of the heart, years, ages, eons, and geologic periods have no meaning--time is dissolved.

     And as for salamanders, the firedrakes, and the spirits who rule vast lakes of flames and fire upon and beneath the earth?  They share with me their secret dreams and their quests for power.  They do not do this because I strike them as charismatic, because my will is more dominant, or because I speak fierce and mighty words of power.  They respond to me like a brother.  This is because, like them, I honor and celebrate the forces of creation which have brought our planet into being.

     But now, at the beginning of the third millennium, the separation between nature and spirit has begun to dissolve on its own.  When I watch the weather report and see the satellite radar and computer generated animation of weather systems, I think to myself that this is a approximation of the knowledge sylphs possess of the atmosphere.  The images on TV show three dimensional real time and accelerated movements of weather systems.  They show images in color and infrared.  Computer models look into the future with real ingenuity.  Our knowledge of meteorology is invading the sylphs' realms of faery and the sylphs' knowledge of what moves the winds.

     In a similar way, when it comes to salamanders, I watch numerous documentaries on volcanos.  Some of the scientists are not just seeking a better understanding of tectonic plate movement and volcanic activity with the intent of warning others about eruptions.  There are a few scientists whose fascination with fire borders on obsession.  They enter craters to gather samples of lava in tin cans while hot lava is splashing down upon the ground around them.  One volcanologist, before he was killed in an eruption, spoke of his plan one day to ride a metal canoe down a stream of molten lava.  These men act like they are apprenticed to salamanders like Pyrhum or Tapheth.

     In regard to gnomes, there is an overlap between our science and a gnome's approach to chemistry and physics.  Clearly, it is our intent to know all there is to know about physical matter and its components.  We know more than gnomes about the origins of the universe and the subatomic particles which originated with the Big Bang. 

     I do not think gnomes are aware that a trillion neutrinos pass through their bodies in every second.  We set up procedures for measuring these things.  The physicist Steven Hawkin, for example, has a holographic picture of the universe inside his mind.  He probes the inside of black holes and quasars with his imagination.  His mental images resonate with the universe.  Gnomes have no advantage over us when it comes to astrophysics.

     But of the four elemental beings we are perhaps weakest when it comes to undines.  When you touch the body of an undine, you can sense all the oceans of the earth, the silent calmness of the ocean trench, and the thrilling trill of ice cracking inside a glacier at the North Pole.  But this is not all.  The undine's love is an introduction to divine omnipresence. 

     Their love reveals the longings of our hearts and visions of how our deepest needs may be fulfilled.  Though oceanography has become a major scientific endeavor, the study of the empathy and sensitivity which undines possess is still in its infancy.  Undines barely have a presence in the literatures and mythologies of our world.  I intend to correct this situation.

     And yet the question remains:  Is the human race ready for a full disclosure of the magical wisdom possessed by elemental beings?  I believe this question has become irrelevant.  The entire biosphere of the earth is now within our power to study and to influence, to protect or to destroy.  Our fate depends on the extent to which we take responsibility for our actions.  My stories are not an attempt to turn us away from the choices we must make.  To survive, we must guard and manage the planet earth not only with science and ecology, but with love.  My purpose, therefore, is not only to create a new psychology of nature and to infuse ecology with a spiritual dimension.  My goal is the responsibility which leads to the enlightenment of the world.   

     If the beauty of the sky, the oceans, the mountains, and volcanoes can be reflected within our hearts, then we can understand any human being on earth.  If we can taste the ecstasy of the four elements in nature, then we will seek to be of service to humanity.  If we can find in ourselves the powers of creation which have shaped and which sustain life on our planet, then we will also create works of beauty, wonder, and art.  Every society has the task of unfolding its own vision of the union of nature, man, and spirit.  This book is my contribution.

 

 

Mermaids, Sylphs, Gnomes, and Salamanders

 

The universe is on the verge of exploding because of the joy it contains.

 

—the sylph Cargoste

                                                                                              

 

Preface

 

The nature spirits that I work with in this book are described briefly by the Czech magician Franz Bardon in his book The Practice of Magical Evocation. Franz Bardon also offers an extensive training system in his book Initiation into Hermetics. Any serious student who wishes to probe the mysterious energies underlying nature might do well to study this work.

My task in this book, however, is more contemplative. It relates to presenting a spiritual psychology that unites nature, human, and divine awareness. To that end, I engage the kings and queens of the four elements in dialogues. I ask them questions such as “What is your innermost essence and the dreams at the core of your being?” and “What are your secret desires?”

          In doing this, however, I am not practicing something that is esoteric, occult, or magical. Rather, I am studying human nature. The beauty and power underlying nature on this marvelous planet are also found within us. These spirits of the four elements embody the love, the harmony, the endurance, and the will that is hidden within ourselves.

The gift I would offer to each reader is the experience of how to look upon nature and see within it the nurturing and quickening power of what we as a race are meant to become. This world is our home. The elemental beings are like us in many ways. They seek to take nature itself and to bring it to perfection. Through better understanding what motivates them, we become wiser and more inspired as we seek to shape our own destiny.


Introduction

 

The Four Elemental Beings

 

Who or what are elemental beings? On the astral plane of our planet, there are a vast variety of spiritual creatures one may encounter.  Traditionally, some of these beings have a very special connection to nature and are called elementals. The four kinds of elemental beings are each composed of one element such that mermaids are water spirits, sylphs are air spirits, gnomes are earth spirits, and salamanders are fire spirits.

    Human beings, by contrast, are considered in many traditions to be composed of five elements—water, air, earth, fire, and a fifth element called akasha or spirit. Within the human psyche, the soul, or astral body, the water element increases our ability to feel and to love. The air element enhances are artistic sensitivity and appreciation of harmony and balance.  The earth element embodies the desire to work with physical matter, reshaping the world we are in so as to leave things of enduring value.  And the fire element relates to will and power. Fire is intense, expansive, and constantly seeking to overcome anything that limits its self-expression.

   We might look at a volcano and imagine a being who seeks to understand everything that it is possible to learn about fire as well as how to master every aspect of will power.  In a similar way, we might look at the sea and imagine beings who are like water—it is their very nature to love, to being forth life, to renew, to purify, to heal, and to make whole.  

  If we look at the sky, we might imagine spirits of the wind that are masters of every kind of atmospheric condition.  But having the sky in which to roam, they tend to remain very detached and they love freedom.  Or we might look at mountains, trees, rocks, and minerals and imagine beings who dwell in the earth. They are very silent inside and once they begin a task they no longer count time, for the only thing on their minds is pursing what they have begun until they are done.

   The psychological qualities I have just used to describe these elemental beings describe human beings as well. The difference is that the elemental beings have been striving to understand nature for millions of years. The kings and queens of the elements we might consider, then, to have mastered various secrets of nature as well as aspects of will, love, harmony, and inner silence that we as a race have only begun to explore.  In this sense, the elementals are our teachers. They stand ready in any moment to speak with us and to share their secrets if only we still our minds and sharpen our senses so that we can perceive their presence.       

   In this book, I ascribe gender to the elementals. These beings, however, do not reproduce in any way similar to human beings. The mermaids, for example, may appear to be extremely sexy and attractive. And if you put a mermaid inside of a woman’s body, she would indeed be very sensual and loving. But mermaids are not mammals or fish. They do not reproduce physically.

    Consequently, when mermaids do in fact assume human form and live among us, they bring with them no tradition or morality for understanding what sex is. For example, a mermaid woman sees no relationship between sex and love. Love is an energy exchange between individuals. She can perceive love directly since she sees energy. In human form, she may consider sex to be a great experience. But having no ego or need for attachment, sex generates no bonding for her. If she is loyal to an individual in an intimate relationship, she is responding to the other person’s need for her to present herself in that way.

    In this book, I describe mermaids, the female form of water elementals. I could just as easily have written about merman. The mermen often have the ability to control storms at sea and are aware of the location of sunken ships. The water element, however, because of its extreme receptivity, favors the female form. The mermaid queens have astonishing powers that are greater in scope than those of the mermen.  All the same, mermen are very active and creative in their own right.

   Males can be found among the air elementals, but sylphs are mostly female. I describe members of both genders in this book. The feminine form carries with it a heightened sensitivity and female sylphs can easily establish rapport with a human being if they wish to do so. The sylphs in masculine form tend to oversee, control, and change weather conditions.

   Earth elementals too can easily be either masculine or feminine. As feminine, the gnome is more interested in nurturing—feeling an inner connection to the life force in trees, flowers, and living beings. In masculine form, the gnome is compulsive about investigating and transforming physical matter and working with the magical aspects of precious stones.

    Fire tends to favor the masculine form in that fire is dynamic, explosive, and intense. Fire elementals in male form are constantly aware of the need to gather support from outside of themselves in order to maintain their power—fire needs external fuel. However, the greatest elementals within any of the four elements , the kings and queens, possess such understanding of magic and are so creative they are free to engage in activities that are either masculine or feminine.  But as individuals, they specialize in one role or the other--taking control and changing something or else receptively embracing and becoming one with something.

   Writers of fairy tales often imagine elemental beings to have human motives. But mermaids, for example, are not at all like human women. The extreme receptivity of mermaids and their magical empathy have never been described accurately in world literature.  But in terms of active and passive, if we are discussing an elemental who can control the explosion of a super volcano-- that would be a male salamander.

  .And if we are discussing an elemental who can in this moment instantly perceive the feelings and often the past and future of any living being on earth--that would be a mermaid queen.

 

 

 

 

 

 

 

Mermaid Tales

 

Preface

 

If you want a “real” mermaid in a physical body that is half fish and half woman, you will have to wait until zoology finds either the bones or the actual living creature. At this time, zoology and paleontology offer us no evidence that such beings exist in the present world or in the geologic record.  

  Mermaids in their own realm on the astral plane are spirits whose souls have the vibration of water. As such, they not mammals and they are not fish. Like other beings on the astral plane, they do not eat food or drink liquids. They are not carbon based life forms. They do not mate or use a mammalian reproductive system to reproduce. They draw energy from the water element on the astral plane and from the subtle energy water emits in the physical world. Yet like many other astral spirits, they can incarnate in human form as women.   

  And here is the problem. They grow up initially thinking they are human. And then each discovers that she is not like other people. This is rare, but one woman said, “Mother. I am not like other people. Is there something you are not telling me?” And her mother replied, “You are of water. You are a mermaid.”

   Almost all of these women I meet tell me they are not a human being. They had to figure this out on their own. There is no user’s manual lying next to a crib when a child like this is born. If you think about it, if a mermaid wants to have “a human experience,” it would serve no purpose for her to know in advance that she is not human. Otherwise, when she has to deal with a difficult situation, it would be easy for her to say, “The choices I make do not matter. I am a mermaid. I do not have to take this life seriously.”

  In our world, there is a strong emphasis on survival. Affection, love, food, shelter, and protection are scarce resources. And when resources are scarce, people trade back and forth exchanging what one has for what another has.  

   The mermaid realm is not like that. There are no boundaries to defend. No taxes and no government. No society. No groups. No family. No fathers, mothers, brothers, sisters, sons, or daughters. No birth, no old age, and no death.

   There are no seasons for planting and harvesting. No hard work during the rest of the year in order to survive winter. No days and nights. No linear time. Think of the open ocean. The seasons are barely noticeable. A billion years ago the ocean looks almost the same as it does today.   

   Mermaids associate freely with whoever they want. When they meet, they greet each other by sharing all that they are. They can do this because they are united to the water element in nature and this water contains a love that endlessly flows through them to others. A mermaid in her world would stop being a mermaid if she was not giving all of herself in love to whoever she is with.  

   What is an incarnated mermaid like? For about eighty per cent of them:   

   1. They like to be around large bodies of water. Some draw energy from water the way we draw energy from breathing.

   2. They are empathic such that they feel what others feel. When their auras pass through other people they sense the other person’s emotional life as if it is their own. They do not define love in terms of moral obligations or by referring to metaphysics, theological doctrines, or beliefs. They can perceive love directly as an energy that flows between people. They know when love is present and when it is not.

   3. In almost every case, they will say they exist to love. And they never lose their innocence--they cannot stop giving all of themselves to others. At the same time, they learn they have to conceal their natural desire to give because people will often misunderstand them, harm them, or try to abuse them.

 

 

 

Introduction

 

Summary of the Stories

 

   Donovan and the Mermaid Queen, Part I and II. This continues an exploration of the story about Donovan from my first book, Undines. Donovan is obsessed with the mermaid queen Istiphul.  

   Alessandro and the Mermaid Queen. This story comes from meditating on the mermaid queen Istiphul’s experiences with the human race.   

   How To Tell When You Are With A Mermaid Women. You can tell if a woman has a soul vibrating with the water element. Observe her body language and where her attention is focused. It is like stepping into a pool of water. In the moment of contact, she is one hundred per cent there for you.   

    Vicky and Karl. This story was told to me by a man sitting next to me during a six hour flight between Honolulu and Los Angeles. He described how he and a mermaid woman had kayaked across the Everglades in South Florida. It was nice to get the man’s experience since I usually hear these stories from the woman’s point of view.

   Pastor Bob and the Mermaid is a brief summary of some of my own experiences with mermaids. For more on my direct contacts with mermaids, see my book, Undines—Lessons from the Realm of the Water Spirits.

   The Mermaid Assassin was a pleasure to write. This young woman’s boyfriend thought she was a mermaid and referred her to me. She told me this story and I wrote it almost verbatim as she recalled her past life in Atlantis. She is one of four women I have interviewed who can spontaneously relive other people’s memories as if she experienced those memories herself exactly as they happened.   

   A Changeling. The story pursues a theme from fairy tales and folk traditions where a human child is “exchanged” for a fairy child. I have always been in awe that my parents treated me like I was a member of their family. Some of the people I interview tell me that from early childhood they knew they were not from this world.   

   Serena’s Tale. After reading my book, Undines, Serena, a world class pro surfer, wanted to meet me. Then she asked me to tell her about herself. I told her she is a human being with a mermaid’s aura. But she wanted more, to know how she became what she is—a woman who draws energy from the sea and who out of gratitude for all it has given her wishes to give back equally.

   I went into deep meditation to answer her question. What appeared is this story of an ancient time where magic played a greater role in society and human beings were more psychic.

   Magic Island. As a civilian instructor, I once taught classes for Navy sailors at Pearl Harbor. My boss, a woman, explained to me that almost every one of the sailors goes to strip clubs whenever they are in port. Wanting to understand the experiences of her students, she asked me to take her to a strip club.

  Up to that point in time, I had been in a strip club once before. I had no idea if you can take a woman with you into these clubs. So I did some “research.” Some of the clubs are a five minute walk from the beach.    Up to six hundred different women from all over the world may work in one club during a year.

  If you can read auras, it is easy to see if any of these women are from another realm. And so this story.   

   A Mermaid Who Loved A Musician. It is heart wrenching to see the extent some of these women give of themselves to others and yet they are so rarely loved in return. This was not the case during this mermaid’s first experience “incarnating” as a human being.    

    My Physical Therapist—A Mermaid Woman. My physical therapist is a human woman with a mermaid’s aura. Like many other mermaid women, they only talk to me after I demonstrate I can feel the same watery vibration they feel inside of themselves. Often I am the first person they have ever spoken to about how they feel and perceive differently than other human beings.

   Custodian of the Mermaid Archives. This woman has astonishing empathic powers beyond anything recorded in literature other than what have been ascribed to a few world teachers who founded new religions. I was impressed one day when she demonstrated her ability to move small objects with her mind. If I ask her to locate individuals with certain spiritual qualities, she can scan the entire human race and telepathically suggest to those individuals that they contact me.  

    The Double Changeling is the back story, the fairy tale, through which I explain what I observe in this woman’s aura. She is a professional model and emailed me from another continent in response to my global casting call seeking women who could model what a mermaid looks like on a beach.

   She one of those for whom I act as a greeter—I try to answer her questions about being in this world among human beings and I try to see if there is any way I can be of assistance to her. Her aura has that vibration of someone who has known a number of mermaid queens personally.  

   The Mermaid Who Was An Airplane Pilot describes my experience during a six hour flight between Los Angeles and Honolulu. The woman who sat down next to me was a commercial airplane pilot. She was also married to the pilot flying the plane we were on. Again, I was the first person she ever spoke to about her empathic abilities.

   The River Mermaid. Some of these women have been so abused in childhood that even their connection to nature is lost. This is a story of a mermaid woman who is caught between our world and the Other Side.      

   The Knight, the Merman, and the Maiden is a story told to me by Ermot, a merman on the astral plane. The story describes one of the ways he inspires human beings to fall in love.       

   Story Telling and the Mermaid, Part I and II. In the year 2026, students in a collage class on story telling are given an assignment. Each student is asked to share with another student personal experiences that might deepen the other person’s understanding of life.  

   Four Days with a Mermaid. She emailed me: “I have always had a deep feeling that I am different, even as a child. Your work helps me understand my mermaid nature. I would very much like to connect with you during my journey to talk more about magic and mermaids.”

   And so my report to you on four days I spent with an incarnated mermaid.

   Epilogue: The Sufi Master and Amir Discuss Mermaids. This is an imaginary discussion in response to the question—“What exactly have you learned from your study of mermaids?” The two opposing points of view summarize my experiences with mermaids. 

   Appendix: The Mermaid Queen Istiphul. An answer to the question, “Can you speak right now with a mermaid queen and say something about what that is like for you?”  

 

 

 

Stories of Magic and Enchantment

 

Preface

 

This book is called Stories of Magic and Enchantment. Magic is science that operates according to laws we have not yet discovered. And enchantment occurs naturally when you refine and intensify pleasure converting it into bliss, ecstasy, and perhaps a little rapture. In such a state, the soul is free to dream any dream.

  In three stories, a farmer named Jack Allen knows quite well that one of life’s greatest secrets is that she is full of surprises. My job is to deliver to you stories about wonder and beauty lurking at the edge of your life that look forward to making your acquaintance.    

 

Introduction

 

Here is a story about a prisoner who dreams others’ dreams at night. Persuading a warden to release him from jail is one of his accomplishments. There is a story of a knight who imagines he has died but a young woman convinces him that the line between life and death is not so easily defined. In other stories, a farmer named Jack Allen meets sylphs, air spirits, who have taken on the form of young women. You can decide for yourself if it is worth their bother to come down from the sky to meet this farmer. 
  A sailor regains the love he lost through the power of dreams and an aircraft carrier commander encounters a mermaid on the high seas. There is a tour of a temple of Saturn in ancient Rome. And there is a man who discovers he sees life more clearly now that he is dead and gone.

  And here is another story of a knight who encounters a mermaid. This knight has a gift for reading people. But it turns out his real gift is seizing a once in a lifetime opportunity when it presents itself.   

  There is a mob boss who travels to Bali to speak with a modern day Oracle of Delphi. A Tibetan lama practices a meditation that happens to be all that is necessary to survive a vicious attack from an evil sorcerer. And there is a natural born peacemaker whose reputation for creating harmony drives bad men crazy.

  There are stories of people Buddha encounters when he goes out for a walk. You will note Buddha has more than an enlightened mind. And a story about two Magi who try to balance the teachings of East and West.

  A young man discovers that his life has been designed by a computer game that is now offering him upgrades. Another man takes a ride on a time machine into the future to find at last what grants him happiness.

  A child asks his father to initiate him into the mysteries so he can make the transition from being a child to being a man. You can determine for yourself which of the two has more wisdom. Another man has a dialogue with a mysterious being who helps him understand his obsession with women. And our farmer, Jack Allen, begins having lucid dreams in which a woman comes to him who embodies five elemental powers of nature.         

  A second section has stories about the mythical land of Atlantis. There is an Ancient Order of Women who have found their own magical remedy, filled with love and beauty, for dealing with aggressive male energy. Here too we find a story in which an archdemon explains to a young man the nature of reality and the different satisfactions that accompany demonic transactions. A young woman appears unexpectedly to sweeten an offer.   

  And we meet a man, who like King Solomon, God grants him any wish he requests. Let’s drop in when he meets his true love for the first time in an unusual encounter in a garden.  And just before Atlantis, there is a magical kingdom where a spell binding dance embodies the highest mystery.

  In a third section, I share my own version of creation. And with creation, there are tasks with high levels of difficulties that angels must accomplish. Some problems are so great a council of angels convenes to solicit suggestions from the Creator. Ever wonder if there is a secret meaning hidden within the blue sky of day and the indigo sky at night, the ocean, the mountains and forests, and the void where the stars shine? Sometimes even the greatest of angels need to be reminded of the original purposes of creation.  

  Then there is a story in two parts of an angel who is ordered by the Creator to enter the realms of sorrow and loss. There he is to discover through his own experience what it means to be made in the form and image of the Creator. And we will meet a woman who even the Creator finds is not easy to satisfy. You might enjoy listening in as the two try to settle their differences.  

  Of course, there is Jacob who wrestles for a blessing in hand to hand combat with a most remarkable being. And three or four hundred years later a gentile prophet named Balaam walks onto the stage of history with an ability to curse and bless nations. But when King Balak of the Moabites hires him to curse the Israelites, Balaam’s own donkey doubts Balaam’s prophetic abilities.

  While we are considering fate and destiny, here is a different take on why Neanderthal became extinct. And what about the fate of Homo sapiens? The Creator himself sends the archangel Michael to find out what part the human race has chosen to play in the unfolding of the universe. The answer, according to this story, may not be what you anticipate.      

  There is a section on science fiction that considers possible destinies that await humanity depending on the choices we make. These include stories about robots, alternate worlds, and alien civilizations. And there is a story of a queen on a faraway planet. Given her divine beauty and authority, she issues a decree to those who qualify. They are to search throughout the galaxy for those places where despair is greatest. Using the skills her training system has taught them, they are to remove all ills—in fact, to love as the Creator himself loves.              

  And there a section on children stories that discuss such things as the song of the universe and the fall of Atlantis. And watch out for stories told by Blue Spruce trees, by elves who enter our world through a magic harp, and by wind elves, some wise, some playful, and some mischievous. And there is a troll whose retirement is put on hold because the troll king needs more gold.  

  Now what about a knight who must improvise when he confronts a woman who is also a dragon that cannot be defeated? Or want to meet a gnome? A brief method is included.

  And a last section is on the celestial bureaucracy where you can apply to create your own fairy kingdom on the astral plane. Another celestial department deals with customer complaints. There we will meet a man who complains that loneliness is inherent in human existence. Now what is the remedy for that?

  Or, if you possess the right skills, you can upgrade your spirituality to that of a guardian angel. Speak to each man with the still, quiet voice of his own conscience. Intervening at times to prevent disaster and keep someone from dying is included in the plan.
  Now if you are of a more mystical persuasion, you might like to check out the menu offered at the Akashic Department of Mystical Experiences. Here we encounter a few experiences that men cannot find on their own.  

  And I am sure you have heard about “going into the light” after you die. There are two brief stories about some of the problems and the also fringe benefits that may arise. And there are also a few poems here and there added in for spice.  

 

Note: In the future, some of these stories may become parts of novels I plan to write. I have added them to this book since they wanted to be read sooner rather than later.     

 

 

The Four Elements

 

Magic is a study of how to make the best choices in life.

 

Preface

 

In this book, I have brought together essays I have written on the four elements and magical equilibrium. In magical equilibrium, we bring the different aspects of ourselves into harmony. Part of this work is taking those character traits that are weak and making them strong and we take what is negative and make it positive.

  This work of self-mastery is a journey, an artistic expression, and an on-going life review. Consequently, we will study our biography to understand the major themes that are playing out in our life. Eventually we will distinguish between the person we need to be to succeed in society and what we will need to feel magically complete—that is, connected to the greater universe from inside of ourselves.

  For a straightforward guide to Franz Bardon’s practice of magical equilibrium, see for example, The Elemental Equilibrium by Virgil. 

 

Introduction

 

In my approach to magical equilibrium, I try to bring together the first two chapters of Franz Bardon’s book, Initiation into Hermetics, with the third chapter. In the first two chapters, we work on developing a healthy and balanced personality. This produces a mature and well-adapted individual who functions well in society.

  In the third chapter, we practice embodying the four elemental energies of nature in ourselves. These elemental energies have their own psychology, feelings, and perceptions. In many ways, this level of awareness is well beyond the personality traits and character qualities we encounter in daily life.

  However, in most cases there is continuity. Will power is will power. A clear and open mind is a clear and open mind. Working hard and loving what one does is working hard and loving what one does. In those examples, humans and elemental beings share much in common.

  It is however with the water element we encounter the unknown. Retaining a sense of pure innocence and spontaneously feeling one with another’s soul is not part of daily life. Look around. Masters and gurus do not have the vibration of lakes, rivers, and seas. Those energies are not present in their auras.

 Consequently, when I discuss magical equilibrium I am also exploring spiritual anthropology that asks these age-old questions—What is it to be a human being? What is human nature? What is it to be and to feel fully alive?

 When we can harness the energy of subatomic particles and send satellites outside of the solar system, we have arrived at the point where we need to ask, What is it to attain maturity as a race that creates its own environments and oversees the well-being of the planet?  

  And the answer may well be that, among other things, we must take into account the transpersonal aspects of the water element and make them a part of ourselves. Otherwise, as the story about the Queen of Sheba and Solomon points out, instead of rising to the heights, our race might end in darkness.   

 

 

The Ten Sephiroth for Spiritual Beginners—A Guide to the Inner and Outer Worlds

 

Introduction

 

Ten Rules for Spiritual Beginners is based on the Kabbalistic Tree of Life. I began reading books on this topic in the early 1970s beginning with Dion Fortune’s Mystical Qabalah, William Grey’s Ladder of Lights, and Gareth Knight’s two volume Tree of Life. There are currently a great number of books that pursue the meaning of this magical diagram. 

  The Tree of Life theme has many advantages. It brings into one place psychology, astrology, planes of consciousness, spiritual quests, and all manner of initiations. Aa a roadmap to the spiritual world, each individual can use it to gather in one place the variety of his spiritual experiences. 

  As a spiritual anthropologist, I have studied and meditated with about sixty masters and gurus. I notice that a master from the oldest Taoist lineage in China has quite different goals and methods than a master from the oldest Buddhist tradition in Tibet. A Hopi Indian shaman works with the spiritual and physical universe in a different way than the Wiccan, Druid, Muslim, or Christian.

  Put simply, the various traditions on earth do not share each other’s dreams. What is sacred in one tradition is given no attention in another. They seem oblivious to the astral plane with its global dreamtime that supports every soul regardless of the individual’s path and the religion or wisdom he practices.

  My purpose is straight forward. With all the advantages technology offers the human race, the survival of our species remains at risk. To use properly the immense powers we hold in our hands, we need an equal level of wisdom to guide and inspire us.

 And so my task is to study all the various traditions I can gain access to. I have sought to distill and extract from them the universal aspects of their training systems. The goal is to bring this wisdom together in one, user-friendly book that is neutral in regard to beliefs, doctrines, and religion.

  What I write here offers directions so that you may experience the wisdom of many traditions for yourself. Then you can decide what is useful and what you wish to discard. The focus is on your needs and not on the preservation of a tradition or lineage.

  The chapters of this book follow the ten sephiroth of the Kabbalah which are extremely useful because of their wide-ranging and universal approach to life experience. And for each sephirah or domain, I present 

various themes such as the Basic Qualities which indicates the obvious and tangible aspects of the sephirah.

  The Challenge section is something to accomplish. The Magical Practice is a method.

  The Common Virtue focuses on a psychological skill unique to that sephirah. The Magical Virtue section describes a power of transformation belonging to the sephirah. The Divine Virtues section is what you might experience once you know the sephirah inside and out.

  The Dream section is an animated visualization or symbolic picture through which we can use our imagination to bring the sephirah to life. The Initiation section is about embodying the sephirah in yourself.   

  And finally the Mystery section involves conflicts within the archetypes of the collective unconscious. For example, there are conflicts between the four elements in nature, within the astral plane, in the quest for truth, in the attainment of oneness in personal relationships, and in the relation between the personality and the higher self.

  The Mysteries sections also involve perennial questions, Why are we here? What is human nature? What can we become? What is missing from life? It is the mystery that surrounds us and is a part of us.

  Each of the ten domains in this book has its own unique emphasis as well as its own purposes, gifts, and obstacles. And each is inexhaustible—we can explore any one of them for an entire lifetime. 

  Caught up in physical world, having to deal with the necessities of survival? This is Malkuth/the Earth. It is all about mastering and overcoming our limitations. And equally it offers us a way to be grounded so that we transcend the limitations of life.

  Need some sort of relief, perhaps a dream that brings renewal and new hope? That is Yesod/the Moon. It is the foundation. It is the pleasure, sensations, and feelings found in sex, intimacy, family life, and the appearance of new light on earth.

  Need to solve a personal or a global problem?  Hod/Mercury assures us that every problem has a solution and every conflict a resolution. In the end, nothing will remain hidden.

 What about love, attraction, art, empathy, and personal integration? That is Netzach/Venus. Here we can observe how attraction and love have magical effects. 

  What is life all about? Why is there suffering and how do we find the inspiration that transforms us? This is Tipareth, the Sun. Find this inspiration within you and victory is close at hand.

  Do you like to put aside each day a designated time to train your body, soul, mind, or spirit? That is Gevurah/Mars. But do not stop once you can best your competition. Gevurah reveals how to unite with the creative powers unfolding the universe. Now you are ready to pursue missions that transform the world.

  Interested in wealth in all forms and in all planes of existence? That is Chesed/Jupiter. Why not start out from the beginning envisioning yourself having every need met so that you are in a position to give to others what enriches their lives?

  And Saturn says, “Experience everything you can. Satisfy your every desire. But also discover your deepest lessons in life. Then take the time and make the effort to learn them. Life is whatever you want it to be. Just remember this command—attain freedom.”

  And then too there is Chokmah/Uranus. Now we deal directly with Divine Providence in order to transform society and to create a new world. You see reformers all the time wheeling and dealing with Uranus. They like to ask themselves, “How much can I change the world?” Reformers often fail because they fail to take human nature into account.

  And finally Kether/Neptune. Its basic quality? It grants completion, closure, satisfaction, and fulfillment. Anything you need, just ask. Well, that is, ask in the right way at the right time with the right motivation—such requests can never be refused.

  For me, the prime directive governing all souls who incarnate on earth is “Become your own creation.” This book is my attempt to assist others in the pursuit of this declaration of spiritual freedom.    

 

 

Introductions to Unpublished Manuscripts

 

 

How to Speak Saturn:

  A Training Manual for Global Justice

 

Question: When shall war be no more?

 

When there shall appear on earth four or five in whom there is no fear; and whose souls are so clear that when malice, evil, or ill will draws near, these things dissolve as if they were never there.

  When four or five shall remain in each generation, then your race shall awaken. The beauty of the stars and the seas and the mysteries shall appear within your dreams. These treasures of soul shall overflow, filling your world with light and healing.

---The Mermaid Queen Isaphil

Introduction

The purpose of this book is straight forward and simple. It is my intent to place into the hands of people a means to eliminate corruption in government and to free the world of war and also of dictators. To do this you start with yourself and practice a meditation that is common in the Orient but less known in the Western world.

  The meditation is meant to be user friendly. Even at the very beginning of practice you may notice that you can reduce the hostility in people in your personal life who are negative. If this application proves useful to you, then you can immediately apply your meditation to anyone anywhere on earth.

  In Part I, How to Speak Saturn, I gradually introduce the practice of formless meditation. Included is a chapter on empathy. Empathy as it develops enables an individual to sense what other people are like inside and also to connect to them directly mind to mind and heart to heart.

  I finish Part I with a mood piece on the temple of Saturn in ancient Rome. If you know nothing about metaphysics or Saturn you might begin with this chapter in order to get a feel for the topic.

  In Part II, Ancient Minds, I explore what I can sense intuitively about a few figures from history who are relevant to this book such as Buddha, the Prophet Isaiah, King Solomon, and so forth. This section ends with another mood piece called The Witness, about an individual who embodies what can be learned from all the masters of the earth.

  In Part III, I present methods drawn from the Czech magician Franz Bardon. These methods immensely upgrade the concentration exercises and formless meditations practiced in the Orient.

   In addition, I offer two short essays on a magic formula called the cosmic letter G that is used for blessing. Justice limits and reigns in those who harm others. Justice also is about harmony and the power to fulfill life in every conceivable way. This practice includes the vibration of Saturn within it, for you cannot receive everything good that life has to offer without a willingness to learn new things.

  At the end of this section, I explore concentration exercises relating to the five senses: sight, sound, touch, taste, and smell. Formless meditations only really develop well if you have in-depth understanding and experience with your five senses. Get to know your five senses well. Understanding their potential makes all the difference in the level of inspiration with which you live your life.

  In Part IV, The Domain of Spirits, I describe one or more spirits from each planetary sphere from the earth to Saturn. These spirits make comments that are relevant to our journey—to the exploration of justice and how to produce it on earth. In this book, the elemental beings as well as divine beings shall walk beside us and assist us in our work.

  It is not my intent for individuals to evoke and make contact with these spirits. But they are our teachers. And so I include their words and their inspiration.

  The last two spirits I describe are Judges of Saturn. I consider myself an agent of the Judges of Saturn. But like a clerk to a Supreme Court Judge, you have to do a lot of homework and be very prepared before you try to champion a cause or argue a case from one side or another.

  In Part V, The Modern Mind, I discuss briefly some issues that arise regarding the operation of corporations in the modern world.

  In the Appendix, I describe briefly the four elemental realms with examples of beings that exist within them. And I briefly summarize the cosmic language from which some of the material in this book is drawn. 15 There is also a brief summary of Franz Bardon’s training system from my perspective.

  And finally, since so much of the work in this book uses intuition, I have taken the liberty of presenting whenever I could fit it in one of my poems that relates to the topic. Poetry, like art, is a way of expressing something that otherwise lies outside of anything familiar we have encountered before.

  Some of my poems are from dreams. Some of the poems I wrote while asleep and dreaming. And some of my poems are dreams that, with all of my heart and might, I seek to make a part of the reality of our world.

 

The Perfection of Wisdom—the Cosmic Letter U

 

Preface

 

The Dreamer Awakens

 

“Do any human beings ever realize life while they live it?—every, every minute?”

Stage Manager: “No. Saints and poets maybe …they do some.”

--Thornton Wilder, Our Town

 

During a dream a man said to an angel of light—You know, it is too bad you cannot be aware of life as if you are already dead—the beauty, the fragility, every moment so beautiful, so fleeting, and yet a true reflection of eternity.

  And the angel of light who was not at all an image in a dream but a true being replies, But you know, you can. Poets and artists capture this insight sometimes when they compose or write.

 But the dreamer persists—But to live with one foot in the grave? Must one exchange the joy of feeling alive for the nightmarish realization of truth that everything here will soon be no more? Is this the price one must pay for seeing life with second sight or is the price giving up attachment to every desire, forgoing every vice? Or is the price to feel half dead while still alive?

  And the angel of light replies, Actually, the trade, the price to be paid is altogether different from what you have said. But you are right. Insight is not free. It requires a receptivity as deep as the sea—to perceive without thoughts intervening that interfere with the mind being like a mirror—that clear.

   To feel without fear. To hold every moment dear. To love with all of your being without hesitation or limitation because the act of love is itself a sacred celebration, the sharing of a cup whose taste makes all things new—for it is this beauty and passion that reveals the real you.        

  To perceive from the Other Side while still alive is to be outside of time—it is where the outcome set in place by fate from past actions can be redesigned.

  But do you really want this gift? Are you that ready to be different---are you willing to feel every feeling the heart can feel?

   And the dreamer replies, Grant me this gift and the darkness within my soul I shall make into a holy well where wishes are fulfilled. And my sharing with others shall be the sharing of a cup that grants freedom and happiness at the taste of it.

  And the angel of light says, You request is granted. We have wondered when you would awaken and assume your rightful place among us in bringing into being the dream of a new world. Welcome home!

 

Introduction

 

In his book, Key to the True Kabbalah, Franz Bardon describes what he calls cosmic letters. These are energy fields created through concentrating on three senses. The concentration is on a  color, a musical note, and a physical sensation.

   There are twenty-seven cosmic letters. This letter U refers to akasha, the fifth element that originates, supervises, and dissolves the other four—earth, air, fire, and water.  

   Franz Bardon refers to akasha as actually being colorless. It is outside of the visible spectrum of light. Bardon attributes to the letter U the color of black as in shiny or ivory black. The sensation you produce in yourself by imagining you are penetrating through space and time. In the case of the letter U, this physical sensation is an awareness of there simply being no space or time.

   Ninety-five per cent of the matter in the universe is dark matter.  It does not emit any radiation detectable by science.  In other words, no light shines from most of the universe—it neither radiates nor reflects light.  The U relates to this aspect of the cosmos. Put simply, the letter U is turning one’s consciousness into a mirror—a state of awareness that is perfectly receptive.

    The color black has many cultural and spiritual associations.   The Hawaiians have a saying, “When the sun appears, everything falls into place.”  But we also have the song, What a Wonderful World:

 

I see skies of blue, clouds of grey, the bright blessed day, the dark, sacred night, and I think to myself, what a wonderful world.

 

         And of course, there is Silent night, Holy night

 

We can relate the color black to a kinesthetic sense of touch. Instead of black, we could say “empty” as in nothing to touch.  Space is empty and obviously has no color. No light, form, energy, or objects can appear without space to contain it.  

   Various religions have attempted to work with akasha along similar lines.  In Buddhism, Prajnaparamita is described as being the Mother of the Buddhas.  Prajnaparamita is emptiness.

    In Taoism, Wugi is like the Tao: it is formless, undifferentiated without opposites existing within it. Everything derives from Wugi. 

    There is a movement and form involving Wugi in Tai Chi Chuan. One master refers to “raise hands,” the first movement in the longer form as starting from a state of Wugi in which masculine and feminine or yang and yin are undifferentiated. As you begin to raise your hands, you move from Wugi into the feminine. As you raise your hands to where they are fully extended, you move to maximum yang. Then as you lower your hands you return to yin or feminine and finally again to Wugi.     

  The raising and lowering of the hands contains the entire longer form of Tai Chi Chuan within it. Some masters have students practice raise hands for six months before learning any other moves. A Tai Chi Chuan master might say, “No one can push me over because there is nothing here to push against.”

   Imagine the incredible difficulty prophets of the Old Testament had in trying to present a religion, unlike the surrounding nature  religions, that emphasized akasha e as being the primary attribute of God. How do you teach that God has no form or image? He is not a bull, cow, or calf. He is not a reptile, dog, or cat. And he is not in human form hurling lightning bolts at his enemies to retain his power and authority. 

   And yet, like akasha, the Old Testament God wishes to assert his perspective when it comes to establishing harmony on the three lower planes—in clarity of thought and plans on the mental plane; in inspiration and purity of motive on the astral plane, and through justice and prosperity in the physical world.

    In Psalm 90, the writer says, “Oh Lord, You have been our dwelling place through all generations. Before the mountains were brought forth or ever You did form the heavens and the earth, even from everlasting to everlasting You are God.” This Psalmist says our dwelling place is with a being who predates the creation of the universe. To make a statement like that you have to be in love with and in awe of akasha. 

 

 

How to Speak Mermaid

 

                                  Preface

 

Perhaps the best way to learn a foreign language is to live with native speakers. If you live with them long enough, you can learn to speak as they speak and act like you are one of them.  Learning to speak mermaid is something nearly every human being can learn to do.

   Mermaids/mermen are not mammals and they are not fish. They are spirits that exist on the astral plane and that have very close ties to water in nature. Sometimes they incarnate in the form of human beings. Yet previously when they have done so in history, they have always carefully disguised their presence among us.       

   What is a mermaid woman? For about eighty per cent of them:   

   1. They like to be around large bodies of water. Some draw energy from water the way we draw energy from breathing.

   2. They are empathic such that they feel what others feel. When their aura passes through other people they sense the other person’s emotional life as if it is their own.

   3. Their empathy is so extreme that as they grow up they discover they have never met anyone like themselves. And so they almost all consider that they are not like other human beings.    

   Though what they are is often not clear to them, many still do not use ideas or labels to define what or who they are. Feeling itself is a way of being. Thinking thoughts is not a primary or even useful state of awareness for them. I have only met one who is actually willing to assert and maintain that a specific idea she has in her head is “right.” And I only saw her do that once.

  Put simply, speaking mermaid is not about learning the words and grammar of a written or spoken language. It is not even about having ideas, concepts, or some sort of understanding in your head. It has nothing at all to do with metaphysics, theology, or beliefs. There are no ideals about love that are present. Speaking mermaid is a way of perceiving. Mermaids perceive and feel love as energy. Consequently, they do not have to believe in it, try to comprehend it, or express it by complying with a morality that is taught to them from outside.     

   4. In almost every case, they will say they exist to love. And they never lose their innocence--they cannot stop giving all of themselves to others. At the same time, they do learn that with human beings you have to conceal your natural desires to give, in part because others will misunderstand or try to abuse them.

 

Her boyfriend said she should contact me because he thought she was a mermaid. She waited two years and then finally emailed me. That kind of caution is not unusual for some of them.

 

 

I have always known I am a part of nature. It is embedded in my very core.

 

Introduction

 

The Five Elements of Human Nature

 

Mermaids embody the part of human nature that has been hidden from us. By learning the language of mermaids, we encounter for the first time different kinds of love the human race has never imagined.  

   In some traditions, human nature is composed of five elements--earth, air, fire, water, and akasha. The air element heightens artistic sensitivity and mental clarity. The fire element enhances will power, courage, and enthusiasm. The earth element keeps us practical, down to earth, and it motivates us to build things of value that endure. The water element enhances feeling and love. And the fifth element of akasha oversees the development and balance between the other four.

   In human civilization and history, we already know fire, air, and earth. We have individuals like General Patton who look around in life and ask themselves, What is the one problem no one else can solve? And then they place themselves in a position where the power they acquire can solve those problems. And we have men like Westinghouse, Edison, Oppenheimer, and Nobel who offer mankind new discoveries and applications of fire and electricity. These individuals act as if they are fire spirits in human form.  

   Fire--will and power--are very well known to human beings. Fire is a part of everything we do. Electricity is one of the cornerstones of our civilization.

   We also know the air element. We have Shakespeare, Mozart, Sir Isaac Newton, Steven Hawking, and others in human history. They possess a detachment, artistic sensitivity, and also clarity of mind that enables them to study life, not for the sake of power, but for beauty, art, and understanding.

  And we have the earth element--we have men like Warren Buffett that   build empires because they enjoy work and making things of value that endure. These individuals involve themselves with the more material side of life. They often investigate geology, DNA, chemistry, and ways to take natural processes and perfect them.

   But we are missing individuals who embody the primal force of the water element. These individuals would not be known for their power, their detachment and clarity of mind, or for the way they like to build and leave a legacy behind.

  Instead, these women would be extremely empathic and pure in love. If you placed just one of them at a negotiating table where Arabs and Israelis were trying to fashion a peace treaty, she could dissolve the hostility and attachment to the past of those present and inspire them to create peace.

  If you took just one of these women and placed her on the UN Security Council, no one would be able to lie anymore. She could read everyone’s mind and not only that. She could relive the exact memories of those present as if those memories were her own.

  And if you put her on the board of directors of Monsanto, BP, or Tokyo Electric, she would hold her own conference meetings at night with the board members and CEO while they all slept and dreamed. And when they awoke in the morning, they would sometimes be in a cold sweat. Because she would have showed them in graphic living detail the future horrors that result from the choices they are making. And they would remember the words she spoke to them while they slept.

  But you see, such women have never appeared openly in human history. They have had to always disguise themselves in order to survive among us. And until now it is almost certain that the divine world has considered the human race too immature to know about their presence lest we end up abusing them. But this has changed because the world is passing through a critical stage.

  In learning to speak mermaid, we are going to acquire the missing piece in the puzzle of what it is to be a human being. We are going to encounter a love that will vanquish the isolation and loneliness that has haunted the human soul down through the many ages and eons of time.

 

 

The Admiral’s Mermaid (a novel): Preface

 

Preface

 

The plot is about three Navy Seals who play a prank on an admiral who is commander of an aircraft carrier fleet. The admiral has a small sailboat he sails around Pearl Harbor and other places when they are in port. The Seals hire a girl to pretend she is a mermaid and come up out of the water when he is out sailing.

  But the girl has the soul of an actual mermaid. For example, she can hold her breath under water longer than the Seals. She catches glimpses of other’s futures. And she relives other’s memories as if they are her own experience.

  She also has a mesmeric dance she does such that everyone in the club stops what they are doing and watch.

  What moves the plot is one of the Seal’s intense curiosity about figuring out what she is, the commander’s affair with her and its ironic conclusion, and the playing out in real time of the dangers she predicts that the Seals and commander will encounter in the future.

   The story is fun, playful, haunting, a supernatural thriller about a captivating beauty who is perhaps too enchanting to have a relationship with a human being.

 

Cast

 

Dylan: Lauren’s nine-year old daughter.

Lauren: Dylan’s mother and widow of Chip.

Chip: Lauren’s husband killed while deployed in Afghanistan.  

Chase: A Navy Seal. Friends with Lauren and two other Seals. Nephew  of the admiral.

Daniel: Friend of Chase in the same Seal team.

Mike: In the same Seal team as Chase and Daniel. 

Ty, Jacob, and Paul: Navy Seals also in the same Seal team.

Jim: A former Navy Seal and civilian instructor at Pearl Harbor. Used to specialize in disarming nuclear weapons.

Jesse Gardener: Admiral and commander of an aircraft carrier fleet.

Anne: Diver in the Oceanarium Restaurant.  

Serena: Good at swimming. “A mermaid having a human experience.”

XO: Executive officer to the captain of the aircraft carrier and works closely with Admiral Jesse Gardener.  

Aaron: Friend from Mike’s childhood. Now a Mossad agent.

Lili: A Mossad agent. Possesses superhuman empathy like Serena. 

Sheik Hamad: Resides in UAE, a businessman with interests throughout the Persian Gulf.

Irene: Sheik Hamad’s fourth wife, still an American citizen.

Ahmad bin Abdul Al Saud: Minister of Defense of Saudi Arabia.

Omar bin Tariq:  CEO of UASC—United Arab Shipping.

Major general Mohammad Emad: head of Iran’s armed forces.  

 


 
The Mermaid Assassin

 

Introduction

 

This is my second novel involving mermaid type women. My first novel, The Admiral’s Mermaid introduced Serena. This novel, The Mermaid Assassin, introduces a second merwoman named Lili.

  These novels are of the supernatural thriller genre. All the same, the actual psychic and magical abilities the women possess are based on actual interviews with forty different women.

  The theme I am pursuing is an answer to the question, “What happens when you mix together ultrafeminine women with very powerful men?”

  The mermaid type woman is a personality profile I have researched in detail. Basically, there are women who, in simple terms, are obsessed with water. They attribute to it mystical qualities beyond those found in any religion.

   I can ask one of them, “Tell me about your relation to the ocean?” She will say, “When I am in the ocean, I am home or it is like being held in the arms of my mother.” I do not get that kind of response from other people.  

  And they possess a kind of super human empathy. Like, I can be sitting with a few of them and ask, “What can you tell me about Thomas Nides?”

  Thomas Nides is the U.S. ambassador to Israel, but I do not tell her that. And she will spontaneously start telling me about his life, what he is like, and some of the problems he is going through. Technically, she is not being psychic. She actually feels what he is feeling because she can extend her astral body so it blends with his astral body.

  This combination of empathy and her connection to the oceans is one version of what I describe as being ultrafeminine.

  On the masculine side, I grew up in a home where there was a powerful but unspoken presence. It said, “Do something original with your life. Start a global corporation or realign the archetypes of the spiritual world. Or better, do both if you can.”

  And so I have male characters in my story who shape the fate of nations and who apply new technologies. But they are not just alpha males. They are adaptable. They realize that when you encounter something unique and wonderful, you do not fit it into your male patriarchal paradigm. Rather, you create a new paradigm that comprehends what it is so that opposites can join.

  My lifelong commitment to establishing justice between nations requires such clarity, originality, and precision.

 

 

 

 

 

Twenty-Five Earthzone Spirits

 

     

  

Table of Contents

Acknowledgement

Introduction: The Earthzone as a Spiritual University

Twenty-Five Spirits:

           

            Anamil, 9 degrees Aries, On Electro-Magnetic Energies

            Bialode, 12 degrees Aries, On Magical Power and Authority

            Ubarim, 17 degrees Taurus, On Personal Love

            Morilon, 7 degrees Gemini, On Art and Symbols

            Bagoloni, 12 degrees Gemini, On Telepathy

            Pigios, 15 degrees Gemini, Patron of Poets

            Amagestol, 18 degrees Gemini, On Personal Love

            Jachil, 3 degrees Cancer, On Personal Love

            Jachil, 9 degrees Cancer, On Clairvoyance

            Jvar, 3 degrees Leo, On Magical Equilibrium

            Romasara, 8 Degrees Leo, On Pranayama

            Zagriona, 6 degrees Virgo, On Writing, Publishing, and  

                                                        Inspiration

            Haiamon, 25 degrees Libra, On Sexuality

            Tagora, 18 degrees Scorpio, On Personal Love

            Radina, 26 degrees Scorpio, On Magical/Quabbalistic Healing

            Alosom, 25 degrees Sagittarius, On the Power of Silence

            Melamo, 2 degrees Capricorn, On Personal Will

            Trapi, 4 degrees Capricorn, On Personal Love

            Cermiel, 11 degrees Capricorn, On Death and Dying

            Chimirgu, 23 degrees Aquarius, On Akasha

            Haja, 1 degree Pisces, On Accumulating Energy

            Bileka, 24 degrees Pisces, On Magical Meditation

            Ugolog, 25 degrees Pisces, On Prophetic Vision

            Cigila, 28 degrees Pisces, On Divine Virtues and Missions

            Boria, 30 degrees Pisces, On Consciousness, Matter, and Energy

 

 

Acknowledgement

 

This book is based on the work of the Czech magician, Franz Bardon.  After following an extensive period of training outlined in his book, Initiation into Hermetics, Franz Bardon encourages the student of wisdom to explore the realms of the elemental beings or nature spirits.  In my previous book, Sylphs, Undines, Gnomes, and Salamanders, I share my experiences with 13 of these elemental beings.      

     In the next phase of the student's development, Bardon outlines a vast realm of spiritual resources and treasures that he calls the earthzone.  This is a spiritual realm that surrounds our planet.  In his book, The Practice of Magical Evocation, Franz Bardon briefly describes the qualities and purposes of over five hundred spirits including those of the earthzone.  Each earthzone spirits watches over specific aspects of human and planetary evolution.  In this book, I describe my personal experiences in studying with 25 of these spirits.

     Once again, I am highly indebted to Franz Bardon for his contributions both in terms of magical practice and for opening the gates to fabulous spiritual treasures.  I have no doubt that he has offered to us a wisdom that will forever change the course of human development.  I highly recommend to all students of wisdom Bardon's three books, Initiation into Hermetics, The Practice of Magical Evocation, and The Key to the True Kabbalah.

                                                                                                                

Introduction

 

The Earthzone as a Spiritual University

 

As I stated earlier, Franz Bardon describes in his book, The Practice of Magical, over five hundred spirits belonging the elements, the earthzone, and other planetary spheres.  In my book, Sylphs, Undines, Gnomes, and Salamanders, I share my experiences with 13 of the 32 elemental beings Bardon briefly mentions.  In this present book, I continue by sharing my experiences with 25 of the 360 spirits of the earthzone. 

     The spirits of the earthzone dwell within the realm of akasha that elemental beings cannot enter on their own initiative.  Akasha is a state of awareness penetrating through space and time.  Beings who dwell here do not need a form or body in order to exist.  They do not need to use thoughts in order to think or to communicate.  They do not need an astral body or the four elements on the astral plane in order to feel.  They are highly intuitive and their wills are such that they can, on their own initiative, manifest on or interact freely with the mental, astral, or physical planes.      

     The three hundred and sixty spirits of the earthzone mentioned by Bardon each have their own commission and exert for four minutes on a daily basis an influence over our entire planet.  But what is most amazing about them and what is every magician's obligation to accomplish for himself--they each have a direct and intuitive connection to Divine Providence.  The One Unpersonified Light that shines throughout the universe is present within their hearts and it shapes all that they do

     I have begun to think of these spirits are professors in a spiritual university.  If you have sent a child to college, you know something about requirements and financial disclosure. Colleges these days in the United States want a parent to declare, under threat of criminal prosecution, his bank account balances, savings, investments, trust funds, the date of the house purchase, its market value, and amount of debt on it.  They want a complete and accurate copy of your federal tax return with all the attachments.      

      In effect, colleges want to know all sources of income, total assets, liabilities, inheritances, and even the balance in your IRA along with your retirement plans.  And they want to know who outside of the immediate family might contribute to your child's education costs.  In other words, colleges do not just examine a student and his qualifications.  They look at who is offering him support and how much these individuals can contribute.  Though students are admitted based on their qualifications, many students now come out of college with tens of thousands of dollars of debt from college loans.  College education in the United States involves taking financial risks in order to access greater opportunities.     

     In regard to the earthzone spirits, the equivalent of financial support as well as education from elementary school through high school is covered in Bardon's first book, Initiation into Hermetics.  In this book, you work intensively on your physical, astral, and mental bodies.  You learn to increase the vitality in any part of your body as well as strengthen your health.  You are introduced to the four elements and learn how to accumulate and dissolve them at will.  And you develop your mind.  You learn to concentrate on any and all of the five senses.  You learn to control and also to stop thoughts.      

     Towards the end of the first book, you apply your concentration to greater extent in bringing about changes in your life.  Depending on your skill, the mind is able to impress on the energy it has created a thought or picture that then accelerates or actually manifests a specific change you wish to bring about.  Acquiring and controlling energy is like acquiring and controlling money.  Both take experience, a highly trained mind, and good judgment.

      Following my analogy, the level of training in Bardon's first book is high school.  You have met the requirements necessary to go to college or, in this case, to work with the spirits on the inner planes.  Each of the earthzone spirits, however, sets forth its own course requirements.  Each examines your academic (that is, your magical training) as well as your extracurricular activities.  Your record tells them something about your character.  What they will share with you depends on your experience, maturity, and motivation.  Each evocation is, in a sense, an oral examine with a dean of admissions and the chairmen of a department in the college of universal wisdom:      

     Do you have a brilliant mind but a low level of emotional integration?  Have you demonstrated mastery of a particular religious, cultural, or magical system of training but remain deficient in originality and lack genuine curiosity?  Are you obsessed with theories and esoteric histories or are you motivated by wonder and beauty?  Do you desire honor and recognition so that you hoard as a competitive advantage the knowledge you now possess?  Or, do you have initiative, independence, and can you determine for yourself your own direction free of craving for attention?  Are you after something for nothing and want to avoid paying your karmic debts or have you demonstrated leadership and shown you can handle responsibility?  These questions relate to how comfortable you will be when it comes to entering akasha and working with the earthzone spirits.      

     Now any good high school in the United States offers advanced placement classes.  These are usually in physics, chemistry, English, calculus, and lately schools have added advanced placement computer science.  Doing well in these classes enables you to get credit for college level classes even though you are still in high school.  Working with elemental beings--sylphs, undines, gnomes, and salamanders--is like taking an advanced placement class.  For this reason, Bardon begins his book on evocation by listing the sigils and describing briefly 32 of the most powerful elemental beings on earth.       

     Elemental beings specialize in nature and the energies of the astral and etheric planes.  They also possess incredible levels of concentration relating to their specific elements.  Nature conceals a path that leads between matter and spirit.  The elemental beings, in this sense, are guardians of treasures from another evolution who wait for us to learn their secrets.  Very few religions initiate their practitioners into methods for working with the elemental beings.  Very few religions or spiritual training systems bother to teach you exercises that develop equally your physical, astral, and mental bodies so they take on universal qualities.  But this is exactly what Bardon has sought so hard to accomplish in his basic training.     

     Now as a high school student, I can still walk into Stanford University or the University of Michigan and sit down in a classroom.  As long as I roughly resemble a student no one will bother me.  I can listen to lectures given by some of the brightest professors in the world.  There are great poets, physicists, psychologists, and literary critics.  Most of them do not care if a curious high school student is there or not.  Their job is to teach.      

     One famous philosopher at the University of Chicago knew I was not a student at his university but told his teaching assistant that it was ok for me to sit in as many of his classes as I wanted.  I sat in all of his seminars for two years even though the class size was only about 12 students. What did Paul Ricoeur care?  Wisdom for him is like the air.  It is no one's possession.     

     The same is true of the earthzone spirits.  You can see them, feel their aura, and talk to them without having completed the basic training.  It is not a big deal.  Their primary job is to teach and they love enthusiasm in a student.  Like any teacher, their greatest hope is that one day they will be permitted the honor of guiding another to learn all that they know.   They would bestow on others all the power they possess because, being inspired, they would give freely even as power and wisdom has been freely given to them.  Still, if you want to do real work and not just satisfy your curiosity, it helps to master the basics so your exposure to the curriculum leads to professional work and creative activity.

     I give this example because a very great number of individuals are quite capable of interacting freely and immediately with spirits of the earthzone.  For many it is at least as easy as going down to your nearest university, getting a class schedule, and then going and sitting in a few classes.  Bardon’s book, The Practice of Magical Evocation, is among other things a course catalogue.  In describing in two or three paragraphs each of the 360 spirits of the earthzone, Bardon has provided an immense service to the human race.  These spirits oversee every aspect of human and planetary evolution including science, technology, industry, politics, history, love, entertainment, and all the spiritual arts.

     It is my hope in this book to extent this catalogue by describing some of these spirits in greater detail.  This book, then, is more like a pre-orientation program offered by some colleges.  A student may be accepted by a college but has not yet determined which college he wishes to attend or which program he wishes to pursue once in college.  Consequently, some colleges will invite you to spend a few days on campus. 

     During this time, you can go on a campus tours and see the cafeteria, the dorms, and the surrounding community.  You can attend seminars where a panel of current college students will answer your every question about student life--about what they have enjoyed and what they do not like.  You can learn about campus security, financing, and chat with the dean of admissions, professors, and other prospective students and their parents.

     Sometimes you want to walk around and check things out for yourself.  During one pre-orientation program, I and some other parents and students just missed the dormitory tour.  A few of us tried to catch up with the tour and instead we found a student who had experience giving tours in past years.  We did not see the dorm room carefully prepared and cleaned up for parent inspection.  Instead, she got us through a locked door and showed us a regular dorm room where two students were willing to tell us about their experiences with dorm life and where they thought the best places were to live on or off campus.

     The “big brother,” the college student assigned to watching over a visiting high school student for a night also did not show up.  But he sent another student to take his place.  My son ended up being shown around by several friendly students who even took him along to their night classes and also talked endlessly about majors, curriculums, and professors. 

     My point in pursuing this example of a preorientation college program is to say that this is what I wish to accomplish with this book.  I am giving a taste and a feel for what it is like to attend this magnificent university and spiritual college that surrounds our earth.  You see, I am a student in this university.  These spirits are my professors.  The descriptions I offer of these spirits are my class notes.  And I will tell you right now I have not received one complaint from any spirit or elemental being about freely sharing my notes that describe the details of my experiences in working with them.

     Decades ago, I attended a small liberal arts college.  I ended up hating the school.  They treated me like a second class citizen.  You had to look a certain way, dress a certain way, act, think, and feel a certain way or else they became vindictive and sought to remove you from the school.  Many of the spiritual training systems I have studied in monasteries or in programs with religious teachers have been similar.  The teachers were possessive, jealous, arrogant, and paranoid that someone might learn something from them and then use it in a way they could not control.  Their commitment was not to empowering individuals to find their own path.  Instead, their first objective was to preserve their tradition without modification or improvement. 

     My children have been far more lucky than I was. When I tour their colleges, they speak to and introduce their professors using the professors’ first names.  One college offers a voucher that pays the meal of any professor a student wishes to take out to lunch or dinner.  If you have a job on campus and you have to study, you can call in and they will immediately excuse you.  The school is that flexible.  And though one school only accepts one out of three applicants, they really want those who are accepted to come. 

     At a really good college, you can stop just about any student and ask a few questions and they will answer you.  They will be very blunt and honest but their enthusiasm for the school shines through their eyes and it is in the care with which they respond to your questions.  I hope this book conveys my enthusiasm for this marvelous planet on which we dwell and the spiritual resources that are available to those who seek them.   

      It is my genuine hope that one day a great many of the spirits of the earthzone will become the personal guides and teachers of our diplomats, scientists, businessmen, medical doctors, philosophers, psychologists, and poets/artists/musicians.  It is my desire that beauty, wonder, and the sacred might inspire every heart and that love might be known through direct experience to be what it is--without beginning or end. 

     Still, there is a great price to be paid by those who engage, as I have, in studying at this divine university.  You have to confront the darkness in yourself as part of your entrance exam.  This is where the otherwise really brilliant and talented students will fail--they cannot pass through the emptiness, the void, and the abysses that exist within the human heart.  And opening the gates to the earthzone so universal and cosmic wisdom might be freely shared on earth is not the work of one individual but of an entire community of magicians who serve not themselves but Divine Providence.

 

The Song of the Universe (poems)

 Introduction

All of the poems in this book were written under the inspiration of a Muse which the earthzone spirit Zagriona found for me.  I had not written poetry in many years, but after a few meditations with Zagriona I felt compelled to write poems every day.  I would wake from sleep and have to write.  I would write with tears falling from my eyes.  I would write speaking of feelings I have never felt in this life.

     This Muse is somewhat unusual.  Let me comment on this.   In life, most of us have difficulties of some kind with relationships.  We all know what it is to feel close to another person.  Some have felt at times that they are one with the other person.  Love involves joining and union.

     Nonetheless, even the greatest lovers have to solve problems on a conscious level.  We have different ways of thinking, different experiences, different expectations, hopes, dreams, and desires.  In a real relationship, solving problems and overcoming conflicts requires conscious activity.  You have to talk and communicate with each other.  You have to explain your differences, negotiate, and form agreements.

    But the conscious mind also has severe limitations.  We have personal boundaries and these boundaries protect us from excessive pain, vulnerability, and from being helpless.  A bardic magician or a poet skilled in magick, however, can temporarily suspend or overcome these limitations and boundaries.  We expect this from art and magick--it should be able to tell us what it is to cross over into the unknown and return.  It should be able to tell us what it is to be so consumed by love that nothing of the self remains.

    In one version of the story, Merlin taught King Arthur as a child to transfer his mind into every animal and this so he could understand other’s motives and so rule effectively as a king.  In basic magick training, you learn to project your mind into every aspect of nature, into other human beings, and every kind of spirit.  You do this so you can serve, so the inspiration of Divine Providence overflows from your heart.

     For my Muse, there seems to be this rule:  you are free to join with and become one with any being, spirit, or thing in the universe in order to fulfill the purposes of love.  In this joining, there is no separation.  There is only oneness.  This means that at least in terms of feelings, intuition, energy, and perspective, two individuals or spirits temporarily can so unite that all their memories, their abilities, their sensations, and modes of consciousness are completely available to each other.

     If you consider human lovers, even the best, there is this incredible jealously and selfishness which exists when they attain oneness with each other.  Because when they taste that oneness and bliss of union, they are also simultaneously in that moment extremely vulnerable.  This degree of intimacy, if violated, would subject them to great pain and also a loss of personal power--a feeling of betrayal, defeat, and helplessness.

    But this instinct of self-preservation is understandable.  Most individuals’ self-awareness derives from being a member of a society.  They do not identify with stars, black holes, the emptiness of space, the elements of nature, and light in every vibration both visible and invisible.  But my Muse does. For him, there is only oneness.  He is there for every being in the universe.  It matters not to what galaxy, planet, or race they belong.

     In a story I wrote about an ancient bard, this Muse speaks these words to the poet, “Was not the constellation of Aquarius placed within the sky to remind every being of friendship?  Does not Aquarius exist so that when one heart calls out to another, a kindred spirit may be found even amid the darkest wilderness?  And is there not a life form dwelling within the oceans of your world, a species of whale which like nomads travel one to the North Pole and another to the South Pole?  And if a whale losses its path, still, it is welcomed by the other band and journeys on to the other end of the world.  Because of the loneliness you have endured, your songs shall arise from the hearts of stars and my blood shall mix with your own for we are now brothers.”

      In the human world and in society, love is carefully defined and greatly restricted.  There are no such restrictions in the spiritual world.  Love is without limitation.  It encompasses the universe and everything within it.

     In a nutshell, my poems often derive from this perspective.  Sometimes if only for a moment or instant, I am one with another person, spirit, or aspect of nature.  All that it is and all that I am are perfectly joined--all memories, thoughts, feelings, energies, abilities--in that moment all that we are flows freely from heart to heart.  This is a creative act and it naturally involves a joining of opposites.  Whether this offends the laws of morality or not, it fulfills the purposes of love by reminding us that nothing is separate and ultimately we are all one.

     I introduce many of the poems with explanations of how I wrote them, their source of inspiration, or the stories where I have placed them.  Art serves a very important purpose for a magician.  When you have sources of inspiration which are not recognized by traditional religions, it is especially important to find a way to share your experience.  This is so you can avoid the acute isolation which arises from having profound and overwhelming experiences which few may understand. And in sharing you find others who desire to share in return.  You create your own community and build a new place where the sacred is honored.  Music, drawing, painting, sculpture, drama, stories, poetry, etc. are means through which this can be accomplished.

    Nineteen of the fifty-nine poems in this book were written while meditating with various elemental beings or higher spirits.  But for me, there is often little difference between interacting with human beings and interacting with spirits.  I give a practical example of this in the essay at the end of this book called, How to Write a Poem.  The poem in this essay was written while listening to a song sung by Karen Matheson.  Writing a poem while meditating with a spirit can be done in exactly the same way.

 


The Fall of Atlantis (a screenplay)

 

Introduction

 

The Fall of Atlantis is a screenplay I wrote decades ago. It follows the actions of three young friends during the last days of Atlantis. One, He’ad’ra, becomes the most powerful mage in Atlantis. A second, Radea, becomes the second most powerful individual in Atlantis and head of a Dark Order of Magicians. The third, Baka, steals a sacred artifact—the Mentarch—which unleashes strange powers upon the earth.

  There are subplots. He’ad’ra falls in love and marries Le’ah’e who can dance the song of the universe. There is an ancient order of women run by Sa, a member of the High Council. This secret order of women has controlled Atlantis from behind the scenes for 5,000 years. But they have now lost their grip on power due to men no longer appreciating beauty or pursuing harmony and wisdom, but rather knowledge and power.

   The word of power He’ad’ra uses to destroy Atlantis is described by Franz Bardon in his book, Initiation into Hermetics. Bardon states that he who controls this magic formula has power like unto God. But there are side effects attending such magic. Civilization may require a new beginning, namely, with the Stone Age and this time no longer having access to the Mysteries or to high magic.  

 

      

 

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